Anthony Adeloye

Three Candles

Anthony Adeloye — Tue, 21 Jul 2026 21:04:01 GMT

He is allowed three candles a month, and he will not spend one waking his children. That is the whole man in a single choice. Before the plot, before the ships, I wanted you to know exactly what kind of father was about to lose everything.

History Remembers What Happened. This Asks what Could Have Been

Anthony Adeloye — Fri, 17 Jul 2026 08:01:33 GMT

The First Thing the Trade Takes Is Your Name

Anthony Adeloye — Fri, 17 Jul 2026 01:00:37 GMT

The part of the research that stayed with me wasn’t the violence. It was the paperwork.

A person becomes a line in a ledger. A number in one column, a price in the next, a total at the bottom. Catrin Tregaskis of Lansallos goes in as a name and comes out as *Ade Adesanya*: reassigned, respelled, filed. The old name isn’t burned away or screamed out of her. It’s simply crossed out, neatly, by someone with good handwriting who will go home that evening and eat his supper.

That is the thing I couldn’t put down. Not that monsters did monstrous things, but that ordinary men did them tidily. The manifest is the most frightening document I have ever read, because nobody who wrote it thought they were doing anything remarkable.

In *Trevannock* I reversed the direction of that trade. An African empire has taken Britain, and the manifests fill with Cornish names crossed out and replaced. I didn’t do it to shock anyone. I did it because a thing you have filed away as history behaves differently when it’s your grandmother’s name in the column. Distance is what makes an atrocity survivable to remember. Take the distance away and you’re left with the arithmetic, and the arithmetic is unbearable.

A name is the first thing a person is given and the first thing the trade takes. Before the chains, before the crossing, before any of the machinery most of us picture, the name goes first. Because a person with a name is someone you have to reckon with. A number is not. The whole apparatus depends on that one small act of erasure at the top of the page.

We tend to think evil announces itself. It rarely does. It arrives as procedure. A form to be completed, a box to be ticked, a queue to be cleared before lunch. The clerk isn’t cruel. He’s efficient. And efficiency, pointed the wrong way, will do things no single cruel man ever could.

I keep a copy of a real manifest where I can see it. I look at it when the writing gets hard, when I’m tempted to make the book more comfortable than the history was. The names on it were real. Someone answered to each of them once. Someone’s mother chose them.

*Trevannock* is about what it costs to be turned into an entry. It’s Book One of the Crossing-kin series, and the first chapter is free to read. But if you take nothing else from it, take this. The next time you hear a number where a name should be, ask whose name it replaced.

Because the first thing the trade takes is your name. And the last thing it can never quite reach is the person who still remembers it.

The Captain and His Prisoners

Anthony Adeloye — Fri, 10 Jul 2026 08:00:26 GMT

Read that subtitle again and notice what your mind does with it. For most of us a sentence like that doesn’t sit still — it tilts, because we have only ever met it the other way round. That small vertigo is the entire reason Trevannock exists.

In the chapter above, the deck belongs to Captain Olakunle. The men in the hold are European. Nothing about the cruelty of the system has changed; only its direction has. And that is the uncomfortable gift of the reversal — it strips away the centuries of distance and habit that let us file the real history under settled, studied, over, and makes us feel it as if for the first time.

But I want to be precise about what this book is and isn’t. It is not a fantasy of payback. Olakunle is not written as a hero handing out justice, and the Europeans in his hold are not a punchline. He is a capable, intelligent man being slowly deformed by the machine he has chosen to operate — and the novel never lets him, or you, off the hook for it. Across from him is Elias Hollowell, who began the story as certain of his place in the world as anyone, and who now has to learn what it means to be the one in chains.

The point of putting the commander and his prisoners on the same deck is not to say now you know how it feels. It is to say look how easily the roles could have been anyone’s — and look at what the role itself does to a person, whichever side of it they stand on.

This is the chapter where the premise stops being clever and starts being human. If it lands for you, the rest of the story is here, chapter by chapter — subscribe and I’ll send the next one.

— Anthony

The Hinge of History

Anthony Adeloye — Fri, 03 Jul 2026 08:00:24 GMT

Every history has a hinge — a moment so small in the living of it that no one present knows the world has just turned. The clip above is Trevannock’s hinge: the capture. The instant the trade reverses and one man’s ordinary morning becomes the beginning of everything that follows.

I wrote that scene from inside Elias Hollowell, on purpose. Not from the deck of the victors, not from the safe distance of a narrator who already knows how it ends — but from the one place the old accounts almost never put us: the eyes of the person it is happening to. The confusion. The certainty that this must be a mistake. The slow, terrible arithmetic of realising it is not.

It would have been easier — and far cheaper — to make this a triumphant scene. To let the reader cheer. I didn’t, because the book isn’t interested in cheering. It is interested in understanding, and you cannot understand what the transatlantic trade truly was until you have felt a single person fall through its trapdoor and counted the cost in one life instead of a statistic.

And Olakunle is in that scene too, and he is not a monster. He is a man doing something he believes is owed — and the novel makes sure he, and we, feel the weight of what it turns him into. That double burden, on both men, is where the whole story lives.

History changed direction in this moment. The question Trevannock asks is whether direction is the only thing that was ever wrong — or whether the machine itself was the horror, no matter who fed it, no matter which way it sailed.

This is where the story turns. The chapters after it are the reckoning. Subscribe below and read them as they land.

— Anthony

One Ocean, Two Mirrors

Anthony Adeloye — Sat, 27 Jun 2026 08:00:13 GMT

The split-screen in this clip is the whole novel in a single image: two coastlines facing each other across the same grey water, the traffic between them running the direction history never recorded.

I kept coming back to the ocean while writing, because the Atlantic doesn’t take sides. It carried real ships full of real suffering one way; in Trevannock it carries them the other. The water is identical. Only the cargo’s origin has changed — and that single change is enough to make a reader feel the full weight of what actually happened, precisely because it has been moved somewhere unfamiliar.

This is the oldest trick honest fiction has: to show you a thing by reflecting it. We go numb to a horror we have been told about since school. Reverse it, and the numbness falls away — suddenly you are feeling it new, from the inside, the way the people inside it must have felt it.

But a mirror only works if both faces in it are human. So the split-screen is never good side and bad side. On one shore is Olakunle, who carries the burden of becoming the thing he opposes. On the other is Elias, learning the vocabulary of the held rather than the holder. The book refuses to let either of them become a symbol. They stay people. That is the point — and it is the hardest part to write.

Two worlds, one ocean, and a question that doesn’t let go: if the only thing that changed was the direction, what does that tell us about the thing itself?

The next chapter continues the crossing. Subscribe and come with me.

— Anthony

The Word "Savage" Was Always a Mirror

Anthony Adeloye — Sun, 21 Jun 2026 08:01:13 GMT

Every empire needs a word for the people it intends to use. “Savage” was that word — efficient, portable, and entirely untrue. It did no describing; it did permission-granting. Call a people savage and you no longer have to explain what you do to them.

The clip above sits on that word and turns it around.

The world of Trevannock is built on a fact the old story tried to bury: the societies it dismissed were not waiting in the dark to be discovered. They had courts, scholars, metallurgy, law, theology, standing navies — the full machinery of power. In the novel, the people Europe expected to find helpless are the people who arrive prepared. The shock, when it lands, is not that they are capable. It is that anyone ever assumed they weren’t.

But I did not want to write a revenge fantasy, and this is where Elias matters. He arrives carrying every assumption his world handed him, and the book makes him watch those assumptions fail one by one — not through speeches, but through ordinary competence he wasn’t expecting. The undoing of a prejudice is rarely dramatic. It is a hundred small moments of realising: I was wrong about that too.

That is the power they never saw coming: not a bigger sword, but a true picture of people who had been described instead of seen.

The story digs into all of this — who gets to be called civilised, and who decides. If you want it as it unfolds, subscribe below.

— Anthony

Trevannock

Anthony Adeloye — Fri, 19 Jun 2026 21:22:08 GMT

'Building the Adunbi Imperium

Who Draws the Map Owns the Story

Anthony Adeloye — Mon, 15 Jun 2026 08:01:13 GMT

There is a quiet violence in a map. Long before any ship sailed, the world was being decided on paper — coastlines named by people who had never lived on them, interiors stamped “unknown” as if a place stops existing the moment a stranger stops looking. Whoever holds the pen decides where the centre of the world sits, and for centuries the pen sat in one set of hands.

Trevannock begins by taking that pen away.

In the clip above, a map redraws itself — not to erase anyone, but to ask a simple question: what would the Atlantic look like if the people who were written out of history had been the ones writing it down? In the novel, Captain Olakunle is not a conqueror in the old mould. He is a navigator, a record-keeper, a man who understands that the first territory you take is the story. When his charts replace the ones Europe drew, it is not vengeance. It is correction.

And on the other side of that correction is Elias Hollowell — a Cornish man who grew up certain of where he stood on the map, and who discovers, the hard way, what it costs to be redrawn into someone else’s margin. I wrote them both with care, because the book only works if you feel for the man losing his certainty as much as the man earning his.

That is the whole experiment of Trevannock: not to flip cruelty onto a new target, but to make the reader stand in two places at once and notice how thin the line is between map-maker and mapped.

If that question stays with you, the rest of the story is being told here, chapter by chapter. Subscribe and I’ll send the next one straight to you.

— Anthony

TREVANNOCK

Anthony Adeloye — Sun, 14 Jun 2026 23:38:17 GMT

History remembers what could have been

Chapter One

Anthony Adeloye — Sun, 14 Jun 2026 13:25:22 GMT

Elias rose before light. He had always risen before light, as his father had done, and as every man of his line had done since some fisherman of some prior century had first understood that the herring will not wait. In Trevannock the rising before light was less a habit than a kind of devotion undertaken without much thinking by men who would not, if asked, have called themselves devout. They had not been permitted by the parish authority to use the word devout of anything that was not the official Adunbi religion for forty years, and the men of the cove had become careful with the words they used about themselves. The cottage was cold. The fire in the kitchen hearth had been banked low against the night, and what little heat it had given out had long ago been claimed by the stone of the floor and the lime of the walls. The lime was cracked at the corners where the damp came up. It had been cracked, by Elias's own count of his repairs, since the autumn of 1778, and he had not, in the three and a half years since, found the time or the small reserve of money to do anything about it. He sat for a moment on the edge of the bed — the bed in which Annwen had died three winters since — and pulled on the breeches he had laid ready on the chair the night before. The chair was the chair her father had given them when they were married. The breeches were the third pair he had owned in his 3 TREVANNOCK marriage. The first had been buried with her, by her own asking. The third pair, like much of what was in the cottage now, was older than the second had been at the time of its burial, and would not, by his careful estimate, last another winter. He dressed by the small grey window. It was a habit he had kept since her death, this dressing by what light the moon or the dawn or the stars would give him, because to light the rush-candle and risk waking the children meant ten minutes of Tom's questions and Mae's small soft hand on his sleeve and the slow business of getting them back to sleep, and the herring did not wait for any of that either. The rush-candle, in any case, was the last of the parish's monthly ration of three. He would not waste it on a morning he could dress in the grey. * * * In the kitchen he laid out three things, as he laid out three things on every morning of his working life. The first was the bread that Mae had cut him the night before, three slices wrapped in a square of waxed linen and tied with a length of red thread. Mae was eleven years old in May. She had been doing the bread for him since her mother had died — at first with help, then with less help, and now, in the third winter, without help at all. The bread was coarser than it had been when Annwen was making it. The flour the parish miller had been receiving from the colonial granary at Penzance since the corn ration was reduced in the spring of 1780 was milled with a higher proportion of barley and stone-dust than the parish remembered the bread of their childhoods being made of. The bread was almost always too thick 4 THE COVE AT DAWN at one end and too thin at the other, and Elias did not, in any morning of the three winters, point this out to her. The second was the small earthen flask of cider he had filled at the barrel by the door, watered down to the kind of strength that would not, in the small enclosed space of an open boat, knock him over before the morning was out. The cider was the last of the autumn's ration. The Penzance customs office had, in the late autumn of 1781, reduced the parish apple allowance by a further fifth on the basis that the parish had not, in the year preceding, met its tithe in dried fish. There would be no fresh cider in the cottage until October. He had given up the strong cider when Annwen was buried in any case. There had been a brief year in which he had not given it up. He did not, now, return to it. The third was the small wooden carving he carried in his pocket — a fish, the size of his thumb, made by Tom and given to him as a name-day present in the autumn of 1781. Tom had been five then. The fish was rough, with a long body and a short tail, and bore — as Tom had been careful to assure him — no real resemblance to any fish his father had ever caught, but rather to a fish Tom was sure existed in the deeper water and had given himself the work of imagining. The wood had been an offcut from a broken thwart of the boat. Elias had kept the offcut in the back of the kitchen press for some months, because the Adunbi customs office at Penzance had, since the spring of 1779, required a permit for any piece of worked timber over the length of a forearm, and the parish men of the cove had begun, by quiet practice, to keep their offcuts hidden against the 5 TREVANNOCK inspection that came every Lammas. Tom had not known any of this when his father had given him the offcut and the smaller knife and the run of the kitchen for the afternoon. Elias had said, on receiving the carved fish back at the end of the day, that it was the finest fish he had ever seen, and that he would carry it on every boat he ever put to sea in. He had carried it on every boat since. * * * He let himself out of the cottage by the back door. The front door faced the road, and the closing of it would, in the small still air, be heard by neighbours who would feel obliged to comment on it the next time they saw him at the well. He closed the back door softly. The wooden latch gave a small click. The chickens in the run did not stir. The run had been built in 1771 by his father from timber that had then required no permit. The current run, if Elias were to rebuild it, would require an Adunbi customs permit costing four shillings, which Elias did not, on this morning, possess. He stood for a moment in the yard. He could not, by long habit, walk away from a house in which his children were sleeping without standing for a moment in the yard. The morning was clear. The wind was from the south-west, a light wind that would do well for the first hours of a working day and would, by mid-morning, have lifted enough to bring them home before the heat of the day was high. The sky to the east was the colour his mother had called shilling-grey — neither dark nor light, neither night nor morning, the grey of a coin in your hand on which 6 THE COVE AT DAWN you have not yet decided whether to spend it or to keep it for later. His mother had used the phrase when the only shillings the parish saw were English shillings, before the Adunbi customs office had begun, in 1772, requiring a portion of all parish trade to be settled in manillas. Elias's pockets at this hour contained one English shilling, three pence, and two manillas — the brass crescents of Adunbi colonial currency now accepted at every stall from Falmouth to Land's End. Above him, the gulls had not yet begun to call. The gulls would begin in the next quarter-hour. The gulls knew, as he knew, that he was on his way to the cove. He walked the path down to the harbour. The path passed, at its first turn, the small stone cross that had been the parish boundary marker since the early years of King James, and the marker of the parish church for one hundred and forty years before that. In the spring of 1769, by an instruction from the office of the Lord Lieutenant relayed through the colonial overseer at Penzance, the small Adunbi sigil of the Akande administrative district had been chiselled into the lower portion of the cross. The chiselling had been done by an English mason from Falmouth who had taken the work because his own children needed feeding and who had, on completing it, walked into the chapel and prayed for forgiveness. The Adunbi sigil had weathered in the thirteen years since. The English cross above it had weathered for four hundred. The two weatherings were now of nearly equal depth, and a stranger to the cove would not easily say which had been there first. Elias passed the cross without looking at it. He had been passing it without looking at it for most of 7 TREVANNOCK his thirty-five years. * * * The harbour at Trevannock was not, by the measure of harbours, large. It held thirteen boats. Six belonged to families who had been in the cove since the early years of King James, and seven to families who had come in within the last fifty years — some by marriage, some by purchase of vacant berths, two by quiet arrangement after the loss of an heir at sea. Elias's boat — the Annwen, named for his wife in the second year of their marriage — was tied at the western end of the stone quay, in a berth his father had bought from a man called Lugg in 1739 for the sum of four shillings and a winter's worth of salted pollack. The Annwen was a thirty-foot lugger built in Mevagissey in 1768 by a yard that no longer existed. Elias's father had bought her in 1771 from the family of the man who had ordered her and then died in his bed before her launch. She had cost every penny the family had set by from a generation of fishing, and she had paid them back, by the slow careful work of two generations, in the eleven years since. The Adunbi customs office at the harbour mouth — a low stone building put up in 1763, with a slate roof in better condition than any roof on a parish house — held the boat's annual registration behind glass. The slip had been renewed every Lammas since the boat had been bought. The renewal cost two shillings and one manilla and required the submission of a small portion of the previous year's catch as a registration tithe. The tithe in 1781 had been four stone of salted pollack. The tithe was expected to increase in 1782. 8 THE COVE AT DAWN Above the doorway, in the lamp-bracket mounted there in 1764, the customs lamp burned all night. It was tended by the customs officer's assistant, a man named Penhaligon from a village three miles east, who had been at the work fourteen years and who would, by his own occasional admission at the inn, have given it up if there had been any other work in the district that paid the same and required no permit to undertake. Penhaligon was at the lamp when Elias came down the slip. He was extinguishing it for the morning. "Hollowell." "Penhaligon." "Catch tithe at the end of the morning. Customs officer's instruction yesterday evening. Half a stone if you bring in good." "He has been told from Penzance." "Aye." "He does not, between us, like it either." "I know, Penhaligon." Penhaligon nodded once and went into the customs office. The door closed. The light inside came on a moment later — a different lamp, smaller, the morning lamp, the one that would burn until the office shut at sundown. Elias walked the rest of the way down the slip to the boat. * * * Old Tom Bligh was already at the boat. Old Tom was sixty-one. He had been Elias's partner since the spring of 1776, six years now, since the death of Elias's father had left Elias too young for 9 TREVANNOCK the work and Old Tom too old for the work alone. Old Tom lived with his daughter four miles up the coast, who could not have kept him in her own kitchen had he not had the daily work of going down to the harbour with the Hollowell boy. The arrangement had been the kind of accident everyone had needed. Old Tom had been at sea, by his own count, since 1734 — before the Adunbi customs office had been built, before the parish church had been required to mount the Adunbi sigil above the lintel, before the English shilling had been required to share a pocket with the manilla, before any of the small accumulated impositions that the parish had, in the intervening half-century, accepted as the price of continuing to exist where it existed. He had seen them arrive one at a time. He had not, in his sixty-one years, seen any of them ever leave. He raised one hand in greeting as Elias came down the slip. "Wind from the south-west," Old Tom said. "Aye." "Will hold to mid-morning." "Aye." "Will not hold past." "No." They worked in silence for some minutes. The nets had been mended last evening by Mae, who was old enough and did them in the kitchen by the fire with her father after the supper was cleared, and who was, by Old Tom's quiet measure, a better hand at the mending than her mother had been. They loaded the nets. Old Tom checked the sail. Elias checked the rudder. The light to the east shifted up by a degree. "Penhaligon said half a stone," Elias said. 10 THE COVE AT DAWN "Aye." "He said it was from Penzance." "It always is, lad." "It was four pounds last Lammas. They will, by next Lammas, have it at a stone." "They will," Old Tom said, without looking up from the rudder pin he was wedging into place. "And by the Lammas after that, the parish will not be able to pay it, and the boats will be re-registered to the customs office in trust, and we will be paying for the use of a boat that was ours by the same hand that took it. I have seen this done in three villages along the south coast in the past nine years." "Old Tom." "Aye, lad." "I have not, in three years, heard you speak this directly of it." "I am sixty-one," Old Tom said. "I have one or two years of speaking left. I am beginning to spend them." Elias did not, for some seconds, answer. He looked at Old Tom, who was at the gunwale with his back to the harbour mouth, his weathered face in the grey light not turned toward Elias but toward the boat. There was a thing in the set of Old Tom's shoulders that morning that Elias had not seen before. He could not, at that hour, have named the thing. They put off from the quay. * * * The water of the cove was, at that hour, a flat dull grey. There was no chop. The boat rode out into the bay under the light pull of the sail, and Elias and Old Tom took their accustomed places — Elias at the tiller, Old Tom at the forward thwart — and they watched 11 TREVANNOCK the village of Trevannock slip behind them as the sky slowly began the work of becoming morning. At a distance of perhaps a quarter-mile from the harbour mouth, Elias took the boat north along the coast. The herring would not, this morning, be in their summer ground; they had been working southwards in the past week, following the warmer water — Old Tom had said so the previous evening, and Elias had not had reason to disbelieve him. They would go up the coast to where the small headland at Carrick stood out into the bay, and would, just past it, find the water in which the herring were now feeding. As they passed the headland, Old Tom raised his head. "Three sails," Old Tom said. Elias looked. Far out — perhaps three leagues from the coast — there were three white sails. Adunbi sails. Not the small coastal sails of the inspection cutters that worked between Falmouth and Penzance and were a daily sight on this water. Not the merchant sails of the trade vessels that came up the coast twice a season carrying the manufactured cane sugar of the colonies and taking back the tin and the wool. These were the larger sails of the three-masted procurement class, square-rigged, the sails of a kind of ship Elias had seen at sea perhaps a dozen times in his life and had, on each occasion, seen at a greater distance than this. They stood at the gunwale for some seconds. The sails were too distant to make out details. The three ships were under reduced sail, perhaps half-furled. They were not, by their attitude, going anywhere. They were holding station off the coast. "Old Tom," Elias said. 12 THE COVE AT DAWN "Aye, lad." "The pennants." Old Tom did not, for several seconds, answer. He had been looking at the three ships from the moment they had come round the headland. He had been looking, Elias understood now, not at the ships but at the pennants above the topmasts. The pennants from this distance were small and pale. A man of Old Tom's age and eyesight would, in the ordinary run of things, have been hard put to read them. Old Tom had, by some discipline of attention developed across decades of having to know what Adunbi vessel was off his coast, learned to read them. "Procurement," Old Tom said. Elias looked again. He had seen the procurement pennant perhaps twice in his life, both times in the harbour at Falmouth where the ships had been provisioning between voyages further south. The pennant was a thin black bar above a white field, with the Adunbi sigil of the procurement service in the upper corner. From a quarter-league out it was readable. From three leagues out, only a man who had been waiting for the worst news the coast could deliver would have made it out. "All three," Old Tom said. "They have been moving up the coast since the spring. I had it from my nephew at Falmouth on Sunday. He did not, at that time, say where. He said only that the procurement fleet had moved." "You have not, in three years, told me your nephew brings you news from Falmouth." "I have not, in three years, lad, had cause." The boat rode the small chop of the changing wind. The three sails held station. They were facing 13 TREVANNOCK south. They would, by the slow patience of a fleet that had been doing this work for one hundred and sixty years, choose a parish, and when they had chosen they would send the longboats in at first light of the day chosen, and the parish would, by the evening of that day, be the next parish on the coast whose name was no longer added to the lists of corresponding parishes. "Old Tom." "Aye, lad." "How many parishes have they done this year." "Twelve. That I know of, lad. By the count of letters not arrived where letters used to come." "In what counties." "Three in Brittany over the winter. Two on the Welsh coast in April. Four on this coast in the past six weeks. The remaining three are on the Atlantic coast of France above Brest. The fleet works the channels in a slow rotation. It has not, in the present year, come this far west of Falmouth before." "It is here now." They stood at the gunwale for some time. Neither spoke. The three sails did not move. The sky to the east lifted a further degree. The first gulls began to call above the headland. "Old Tom." "Aye." "We are going home." "Aye, lad. We are." Elias put the tiller over. * * * They came back into the harbour at a quarter past seven. Penhaligon was at the customs office door. He 14 THE COVE AT DAWN looked at the empty hold of the Annwen as the boat came alongside the quay. He did not, by his face, ask the question. "We turned back at the headland," Elias said. "Wind shifted." "I will mark it in the book," Penhaligon said. Penhaligon went back into the office. Old Tom and Elias secured the boat. They did not speak. There was nothing, in this moment, that needed to be said between them. They would each, in their own kitchens, think about the three sails for an hour. They would then, by the small disciplines of men who had grown up inside an occupation, decide what to tell their households, and by some hour of the morning, tell them. Elias walked the path back up to the cottage. The cross with the Adunbi sigil chiselled into its lower portion was at the first turn of the path. He did not, on this morning, pass it without looking at it. He stopped. He stood for some seconds in front of it. He had walked past the cross perhaps fifteen thousand times. He had not, in any of them, looked at the sigil long enough to read it. He read it now. The sigil was the small angled triangle of the Akande administrative district, with the three vertical lines of the procurement service in the lower right. The mark meant, by the formal designation of the colonial code, that the district had been judged eligible. It had been on the cross since 1772. The procurement fleet had not, in those ten years, come for the district. It had been, by some calculation no man in the parish knew the reasoning of, eligible but not selected. 15 TREVANNOCK Until now. Elias stood at the cross for perhaps a minute. Then he walked on. * * * At home he found Mae and Tom in the kitchen. Tom was on the bench by the fire with a small piece of wood and Elias's smaller knife, working on something he would not, at this stage of its making, allow his father to look at. Mae was at the table sorting the morning's milk into the two pans for the cream. "How was it, da," Mae said. "We turned back, lass. The wind shifted at the headland." "No catch, then." "No catch." She nodded. She was eleven years old. She had learned, since her mother had died, the small economies of a fishing household well enough to know what a morning with no catch would mean for the week's larder. She did not, by her face, complain. She returned to the milk. "There were three sails," Tom said, from the bench by the fire. Elias turned slowly. He had been hanging his oilskin on the peg by the door. "How do you know about three sails, lad." "Master Tregaskis was at the well when Mae fetched the water. He told Mistress Bligh. Mae told me when she came back." "Mae." "Aye, da." "What did Master Tregaskis say to Mistress Bligh." 16 THE COVE AT DAWN Mae did not look up from the milk. She was, by the careful hold of her shoulders, choosing the form of her answer. "He said the customs officer at Penzance has, since yesterday afternoon, been telling the parish men of the inland villages that they are to keep their boats in harbour for the present. He said the three sails are off Carrick and Mount's Bay. He said the Lord Lieutenant has been informed." "He said this to Mistress Bligh at the well." "Aye, da. He said it slow enough that I heard him without him knowing I heard." Elias looked at his daughter, who was eleven years old, sorting milk into pans with the careful attention of a woman who had been doing it for forty years, and who had — by some apprenticeship of her three widowed winters that he had not, until this morning, fully understood — become the kind of child who heard what the parish men told each other at the well and decided, by herself, what of it her father needed to know. "Mae." "Aye, da." "Did you understand what Master Tregaskis was saying." Mae set down the wooden spoon. She did not look at her father. "I understood, da, that the three sails are the kind that mean the parishes to the west have been right to be frightened. I understood that Master Tregaskis was telling Mistress Bligh because Mistress Bligh's husband is one of the men Sir John will send for if the Lord Lieutenant orders the muster. I understood that you would, when you came home, have seen the three 17 TREVANNOCK sails for yourself and would, this evening, be one of the men Sir John sends for too." Elias did not, for some seconds, speak. "You understood all that." "I am eleven, da." "Aye, lass." "I have been listening for some weeks." "Aye, lass." She turned back to the milk. She picked up the wooden spoon. She did not say anything further about the three sails. Tom, on the bench by the fire, had not heard what he had heard. He was six. He had been, by his sister's careful management of the household across the past three winters, protected from the things a six-year-old did not need to know. Elias stood for some seconds at the door with his oilskin still in his hand. "Lass." "Aye, da." "What did Master Tregaskis say about the children." Mae did not, for several seconds, look up from the pan. "He did not say about the children, da." "What did Mistress Bligh ask him about the children." "She asked whether the procurement service took the children, da, or whether they were left." "What did he say." "He said the service takes the children who are above the age of seven. The smaller ones are left in the houses, da. With the doors shut." Elias hung the oilskin on the peg. Tom was six. Mae was eleven years old. 18 THE COVE AT DAWN Mae was eleven years old. * * * He went, an hour later, to Mr Penrose at the schoolhouse on the pretext of bringing Mae and Tom to the morning lesson. The morning lesson had begun at nine. It was now half past nine. Mae and Tom were ordinarily at the schoolhouse by nine, but Elias had, on this morning, kept them at the cottage until he had washed at the basin and changed his shirt and recovered enough of himself to walk into the parish without his face showing what it had shown at the harbour an hour earlier. He walked them down. Mae carried her slate. Tom carried his small wooden whistle, the copper one Elias had bought him at the Penzance fair in May. They walked the half-mile to the schoolhouse along the same path Elias had walked at first light. They passed, at the first turn, the cross with the Adunbi sigil chiselled into its lower portion. Tom asked, as he had asked many times before, what the chiselling meant. Mae told him, as she had told him many times before, that it was the mark of the district. Tom asked whether the mark was English or Adunbi. Mae said Adunbi. Tom said: And the cross. Mae said: The cross is English. Tom said: Why are they together. Mae did not, on this morning, answer. Elias said: "Because the district is in two places at once, lad." Tom thought about this. He did not, for some moments, speak. "Da," Tom said. "Are we in two places at once." "Aye, lad. We are." 19 TREVANNOCK "How." "We are English by our names. We are Adunbi by the parish." Tom thought about this. They walked the next quarter-mile in silence. As they came up to the schoolhouse, Tom said: "Da. I would rather be in one place." Elias did not, for some seconds, answer. "Aye, lad," he said at length. "So would I." They came to the schoolhouse door. * * * Mr Penrose was at the door of the schoolhouse when they arrived. Mr Penrose was sixty-four years old. He had been the parish schoolmaster since 1751, and he had been the keeper of the parish register since the death of his predecessor in 1758. He had been Annwen's father. He had given her the literacy in both English and Adunbi that had made her, in her short life, one of the few women of the parish who could read both the parish prayers and the colonial notices that came down from Penzance. He was, on this morning, in his black coat with the small worn velvet at the collar. He had seen Elias from a distance of perhaps fifty paces and had been waiting at the door from the moment he had seen him. "Hollowell," Mr Penrose said. "Mr Penrose." "Mae. Tom. Inside. The other children are at the alphabet." Mae and Tom went inside. Through the open door Elias could see the inside of the schoolhouse — six other children on the benches, three on each side of 20 THE COVE AT DAWN the central aisle, and Mistress Penrose at the small lectern reciting the Adunbi syllabary in the slow careful enunciation of a woman who had been teaching it for twenty years and had never once been able to disguise from her pupils that she did not believe in it. The children were, by the small accommodation parishes had made with the colonial education code since 1768, required to learn the Adunbi syllabary alongside the English alphabet to the age of twelve. This morning, by some private arrangement Mr Penrose had made with himself perhaps an hour ago, the syllabary was being taught by his wife rather than by him. Mr Penrose closed the schoolhouse door behind the children. He stepped out into the small yard. He gestured for Elias to walk with him round the side of the building to where the small herb garden was, behind the schoolhouse, out of sight of the road. They walked together. "You have seen the three sails," Mr Penrose said. "I have, Mr Penrose. At Carrick. Past nine. They were holding station three leagues out. Procurement pennants on all three." "On all three." Mr Penrose was quiet for some seconds. He looked at the small herb-bed at the back of the schoolhouse — the bed his wife had been keeping for thirty years, in which the parish midwives had sourced their tinctures since long before any of them had been midwives, and which the Adunbi parish inspector had, in the spring of 1779, recorded as containing forty-three plants now required by the colonial pharmacopoeia to be licensed for cultivation and which the parish had, in the years since, 21 TREVANNOCK continued to grow without the licences for which it could not afford to apply. "Hollowell," Mr Penrose said. "I will say to you what I have not, in my thirty-one years as schoolmaster of this parish, said to any man." Elias did not speak. "There have been, in the past six weeks, four parishes on this coast that have ceased correspondence with their neighbours. Two have been confirmed by detachments of the militia at Penzance to be empty of inhabitants. The houses standing, the boats in the harbours, the livestock in the byres, the fires in the hearths cold but recent. No bodies in the streets. No bodies in the houses. The militia found, at the second village, the parish register left open on the vestry table with the last entry a baptism dated the Sunday previous. They found a kettle on the floor of one of the kitchens that had fallen from a hook while it had still been hot enough to scorch the planks." "How many people, Mr Penrose." "Between the two villages, by my count of the parish rolls, four hundred and twenty-one." "And the other two villages." "Not yet confirmed by the militia. But the parishes have been silent for the same six weeks. Perhaps four hundred souls more." "Eight hundred souls." "Eight hundred souls, in six weeks, on this coast alone." "And the children, Mr Penrose. The smaller children." Mr Penrose closed his eyes for one second. He opened them. 22 THE COVE AT DAWN "You have heard about the children," he said. "My daughter heard a thing at the well this morning." "Then I do not, Hollowell, have to repeat the thing to you. The procurement service takes the children who are of an age the colonial pharmacopoeia considers usable. The smaller children are not killed. They are not, by any account I have been able to corroborate, killed. They are left in the houses with the doors shut, for whoever, in the next days or weeks, comes through the village." "In the two villages already confirmed." "In the two villages already confirmed, the militia detachment found no children. The houses had been entered, in the days between the procurement and the militia's arrival, by persons unknown. The children had been removed. By what hands and to what places the militia have not been able to determine." Elias did not, for some seconds, speak. "Mr Penrose," he said. "Tom is six." "Aye, Hollowell. Tom is six." "Mae is eleven." "Aye." "Hollowell," Mr Penrose said. "I will say to you the second thing I have not, in my thirty-one years as schoolmaster of this parish, said to any man. The procurement service has, by every observation I have been able to make from the correspondence of cousins on three coasts, a working preference for parishes whose magistrate has been receiving the colonial tribute regularly and who has, on previous warnings, declined to raise the militia. Sir John Pellew has been receiving the tribute since he became magistrate in 1751. The amount he receives quarterly 23 TREVANNOCK from the Adunbi colonial office at Penzance is a sum I am not, in this hour, going to name to you. The locked box in his library has been in the same condition since I last visited the manor four years ago. He has not, in my hearing, ever called the box by its right name. He has called it his wife's jewellery." "He will not raise the militia." "He will not raise the militia, Hollowell. He will, today or tomorrow, summon the four heads of trades of the parish to the manor. He will read them the Lord Lieutenant's notice. He will issue the formal instructions for the muster and the watch. He will offer, by some private arrangement of conscience he has made with himself in the years since he buried his niece Annwen Pellew Hollowell who was my daughter, a coach for your children to Helston. The coach will go. The militia will not." "And you, Mr Penrose." "And I, Hollowell, will be at the manor this afternoon when Sir John summons me. I will not refuse to attend. I will not accuse him to his face. I will, by my silence in the library, become — by the small accommodation I have made with my own conscience across thirty years of teaching the Adunbi syllabary to the children of this parish — a member of the same conspiracy of which Sir John has been a member for thirty-one years. I will then come home. I will sit at my own kitchen table. I will, I think, weep. And in the morning, if the procurement service comes, I will be at the chapel door with the parish register in my hands. I do not know what I will do with it. I know only that it has been in my hands for twenty-four years, and that I have not, in my sixty-four years, found a better thing to do with my 24 THE COVE AT DAWN hands at the moment a parish ends than hold its names." Elias did not, for some seconds, speak. "Mr Penrose." "Aye, Hollowell." "I will not, this evening, sleep my children in the upper chamber of the cottage." "No, Hollowell. You will not." "I will take Sir John's coach for them in the morning." "Aye, Hollowell. You will." "Mr Penrose." "Aye." "You will not, this evening, have a coach for yourself." "No, Hollowell, I will not. I am sixty-four years old. I have been the schoolmaster of this parish for thirty-one years. The procurement service has, by its own published criteria of usability, no use for me. I will be at the chapel door in the morning with the register in my hands, because there is, at this hour of my life, no other place in this parish where I can usefully be." Mr Penrose turned. He went back round the side of the schoolhouse. Elias did not, for some seconds, follow. He stood in the small herb-bed at the back of the schoolhouse — the bed of forty-three plants that the parish had not been permitted to cultivate for thirteen years but had cultivated anyway — and he looked at his hands. They were the hands of a fisherman of thirty-five who had, on this morning, been required to understand, all at once and without preparation, what the next forty-eight hours of his life were going to 25 TREVANNOCK require of him. They were the hands of a man whose wife was three years dead, and whose two children were, in the schoolhouse twenty paces away on the other side of the wall, reciting the Adunbi syllabary in the slow careful enunciation of children who had not yet understood what the syllabary was for. He went back round the side of the schoolhouse. * * * That evening, Elias laid down beds for Mae and Tom in the kitchen by the fire. They asked, both of them, why. He said it was a treat, a thing they had not done in some time. He said the kitchen was the warmest room of the house and the wind was coming up from the south-west, and they would, all three of them, be more snug in the kitchen near the banked fire. Mae, who was eleven, looked at him in the way of a girl whose father had, in three winters of widowed care, never once told her a thing that was not the entire truth, and who knew, by his face on this evening, that she was being told something that was not the entire truth, and who chose — by the small mercy of an eleven-year-old who had heard at the well that morning what the procurement service did with the children of an age the colonial pharmacopoeia considered usable — not to ask. She kissed his cheek. She climbed into the bed by the fire, and Tom climbed in after her. Elias sat for a long time at the kitchen table with his back to them. He had not, for three winters, been afraid of anything that was not the small ordinary fears of a man with two children in a fishing village on the coast 26 THE COVE AT DAWN of an occupied country. He was afraid now. He knew, this hour, what he was afraid of: that on this morning he had seen three sails of the procurement class holding station off the headland at Carrick, and that the customs officer at Penzance had begun yesterday afternoon to keep the inland boats in harbour, and that an old schoolmaster whose lifetime of careful teaching had concluded with the silence by which he had made himself a member of the same conspiracy he had taught against was choosing his words very carefully, and that the wind was from the south-west, and would not, by mid-morning of tomorrow, hold. He sat at the table with the small wooden fish in his hand. He turned it over. Above the mantelpiece, on the small wooden shelf his father had put up in 1768, the parish prayer card stood in its frame. The card had been printed in Penzance in 1772 in Adunbi script with English transliteration beneath, and required in every parish house since 1773. Elias had not, in the nine years it had stood on the shelf, taken it down. He had not, in those nine years, prayed it. He looked at the card now. He stood. He took the card down. He set it on the kitchen table beside the wooden fish. He looked at the two objects for some seconds. Then he placed the card back on the shelf and the fish back in his pocket, and he laid out a blanket on the floor between the children and the door, and lay down on it, and did not, for a long time, sleep. Outside the cottage, on the headland to the west where the small watch had been mounted by the parish men three weeks ago in expectation of nothing they had been certain would come, two men with a 27 TREVANNOCK hooded lantern and an unloaded musket sat in the grass and looked at the dark sea. They were Bligh the cooper and a younger man called William Geach. They were the third watch of the evening rotation. They had been at the cliff since sundown and had seen nothing but the slow water. They would, in seven hours, see the three procurement ships move from their holding station to a position closer to shore, and would, by the unloaded musket, fire the warning shot that would ring out across the cove at four minutes past five in the morning of the twenty-third of May in the year 1782. At the cottage, Elias would still be on the blanket on the kitchen floor, his eyes open, his hand on the small wooden fish. He had not, that night, slept at all.

* End of Chapter One

TREVANNOCK

Anthony Adeloye — Wed, 10 Jun 2026 23:57:00 GMT

linktr.ee/anthonyadeloye

Alternate history does something straight history can't: it lets you FEEL the choice.

Read a textbook about the slave trade, you learn facts. Read Trevannock, you're on a Cornish beach in 1782 watching your world end. You're being renamed. You're on a manifest.

That's the power. Not what happened. What could have.

My novel asks: what if the Adunbi Imperium had crossed the Atlantic and enslaved Europe instead? What if Cornwall became a labour colony?

Fiction lets you walk in that fear. History alone doesn't.

Out now.
linktr.ee/anthonyadeloye

#HistoricalNovel #Trevannock #AlternateHistory #HistoricalFiction #BookTok #BlackAuthors #NewBook #Fiction #BookCommunity

It's live

Anthony Adeloye — Tue, 02 Jun 2026 20:56:23 GMT

Trevannock is out today.

I don’t have a long announcement to make. You’ve already read why I wrote it. Today, the book itself is the answer.

For anyone just joining: Trevannock is set in 1782. Africa is the dominant empire. Their ships come for the villages of Cornwall. A Cornish fisherman named Elias Hollowell is seized at his own harbour, stripped of his name, and entered on the manifest of a slave ship called the Iyalode. On the lower deck, the enslaved keep something the empire cannot take — the names of their dead, passed hand to hand, so that no one crosses unremembered.

It is Book One of five.

amazon.co.uk/dp/1066706506

I am Nigerian-British. This history shaped the world I grew up in, shaped how I was perceived in it, and shaped the questions I carry. I wrote this book because I wanted to close the gap between knowing about the transatlantic slave trade and feeling it. Not from a distance. From inside the hold.

If you’re here at the beginning, thank you. A debut novel with a small following is not a precarious thing. It is exactly where every book worth reading starts.

Buy it, read it, tell me what you think.

amazon.co.uk/dp/1066706506

— Anthony





Why I Wrote Trevannock

Anthony Adeloye — Fri, 29 May 2026 20:30:08 GMT

What if the ships had sailed the other way?

What if it was Europe’s villages that were raided, Europe’s people who were chained into the holds, Europe’s names that were crossed out on a manifest and replaced with something the empire could pronounce? What if Benin had become the jewel of the western world, built on three centuries of conquered labour, and the great continent had looked across the ocean at the cold northern parishes and seen not equals, not even enemies — just resource?

That is the world of Trevannock. That is the world of Crossing-kin.

I did not build this world to be provocative. I built it because I believe it is the only way to make certain people feel what they have so far only been asked to understand.

I am a Nigerian-British man. I have carried two histories for as long as I can remember — one that the world celebrates, one it would rather move past. I have watched people engage with the history of the transatlantic slave trade as a fact, an event, something that happened and has since been processed. I have watched the anger that history produced — the anger that is still being produced, every day — treated as something unreasonable. Something to be managed.

I wanted to write a book that made that anger make sense. Not through argument. Through experience.

If you have never had to think about what it means to be reduced to a category, to have your name erased, your language made irrelevant, your beliefs dismissed — Trevannock puts you in those chains. Not metaphorically. On a ship called the Iyalode, in 1782, in the dark of the lower deck, with the Black Water moving beneath you and a continent you will never see again receding behind. The empire that took you is indifferent to your arrival. It does not notice you have come.

That is what I needed people to feel.

I have wanted to write this book for many years. I started it more than once. Stopped. I am not a trained writer, and for a long time the gap between the story I could see and the words I could lay down felt permanent.

Then AI changed what was possible.

I run a technology consultancy. I have a family. I made a clear-eyed decision: the story mattered more than the method, and if a new tool existed that could help me bring it into the world — not write it for me, but work with me, be shaped by me — I was going to use it. What you are reading is the story I always meant to tell. Every choice in it is mine. The craft that made it possible is new. I have no reservations about that, and I will not pretend otherwise.

There are five books in this series. Trevannock is the first.

I want this series to serve both Whites and non-White readers — for different reasons, I expect. For some, perhaps recognition. A mirror, finally, tilted in a direction that reflects something true about the world and about the cost of empire. For others, perhaps something harder and more valuable: the beginning of genuine understanding. Not guilt. Not performance. Understanding.

Because the misconception I most want to dismantle — across all five books, across every chapter — is the one about Black anger. Where it comes from. What it actually is. It is not unreasonable. It is not irrational. It is centuries deep, and it belongs to all of us to reckon with.

I want us to get to a world where our colours and our histories are not erased — but dwarfed. Dwarfed by love, and by the understanding of one another.

That world starts here.

— Anthony Adeloye